سيميولوجيا الصورة الفوتوغرافية حول العمران التقليدي بولاية غرداية . دراسةسيميولوجية لعينة من الصور

Abstract

Exploring the construction of semiological meaning through symbolic use of color and architectural elements in photographic documentation of traditional urbanism in Ghardaïa reveals rich cultural and communicative dimensions. Central to the inquiry is how visual components in these images generate layered meanings that reflect cultural specificity and reinforce the communicative function of built space.

The study adopts a semiological methodology grounded in Roland Barthes’ framework, focusing on both denotative and connotative levels of analysis. Interviews were employed to enrich the connotative dimension, offering deeper interpretive insight into architectural symbols within their local cultural context. A purposive sample of nine photographs was selected from the Office for the Protection and Promotion of M’zab Valley, the only institution affiliated with the Ministry of Culture found to possess imagery rich in semiological depth related to traditional urbanism in the region.

Findings indicate that symbolic deployment of color and form conveys environmental and cultural associations tied to the Saharan climate and social values, while architectural motifs express concepts such as continuity and respect for privacy. Photographs position traditional urbanism as a visual medium that reproduces local values and affirms cultural identity. Design elements reflect principles of privacy, solidarity, and equality, alongside environmental and religious awareness that reinforce collective belonging. Communicative functions of this urban form include transmitting cultural heritage, preserving collective memory, and delivering promotional and touristic messages—demonstrating a balance between functional utility and cultural expression.