Abstract:
Exploring the construction of semiological meaning through symbolic use of
color and architectural elements in photographic documentation of traditional
urbanism in Ghardaïa reveals rich cultural and communicative dimensions.
Central to the inquiry is how visual components in these images generate
layered meanings that reflect cultural specificity and reinforce the
communicative function of built space.
The study adopts a semiological methodology grounded in Roland Barthes’
framework, focusing on both denotative and connotative levels of analysis.
Interviews were employed to enrich the connotative dimension, offering deeper
interpretive insight into architectural symbols within their local cultural context.
A purposive sample of nine photographs was selected from the Office for the
Protection and Promotion of M’zab Valley, the only institution affiliated with
the Ministry of Culture found to possess imagery rich in semiological depth
related to traditional urbanism in the region.
Findings indicate that symbolic deployment of color and form conveys
environmental and cultural associations tied to the Saharan climate and social
values, while architectural motifs express concepts such as continuity and
respect for privacy. Photographs position traditional urbanism as a visual
medium that reproduces local values and affirms cultural identity. Design
elements reflect principles of privacy, solidarity, and equality, alongside
environmental and religious awareness that reinforce collective belonging.
Communicative functions of this urban form include transmitting cultural
heritage, preserving collective memory, and delivering promotional and touristic
messages—demonstrating a balance between functional utility and cultural
expression.
